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Illustrated with children’s book pages, travel posters, maps, product advertisements, erotic magazine covers and more, Fracture functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these formative designs.\u003c\/p\u003e\n\u003cp\u003eIan Lynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. 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In order to reimagine design as an unbound, ambiguous and unfinished practice, it gathers a diverse array of perspectives, ranging from social and cultural theory, design history and activism to sociology, anthropology and critical and political studies, looking at design through the intersections of gender, culture, ethnicity and class.\u003c\/p\u003e\n\u003cp\u003eThe contributors generate new, anti-racist, postcapitalist, queer-feminist, environmentally conscious and community-based ideas on how to transform design that challenge the status quo and amplify underrepresented voices, both in the world of design and beyond.\u003c\/p\u003e\n\u003cp\u003eContributors include: Danah Abdulla, Tanveer Ahmed, Zoy Anastassakis, Johannes Bruder, Cheryl Buckley, Sria Chatterjee, Alison J. Clarke, Sasha Costanza-Chock, Paola De Martin, Bianca Elzenbaumer, Arturo Escobar, Kjetil Fallan, Griselda Flesler, Claudia Mareis, Luiza Prado de O. 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